Tom and Jerry at the Senate: Produced by the NBI?

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The Senate staircase on Monday did not look like the solemn corridor of a democratic institution. It looked like political theater—half pursuit operation, half reality show—where the lines between law enforcement, spectacle, and political messaging collapsed in full public view.

What was supposed to project institutional seriousness instead exposed confusion inside the state itself.

For months, Senator Ronald “Bato” dela Rosa remained politically quiet as rumors swirled around the possibility of International Criminal Court scrutiny tied to the Duterte administration’s bloody war on drugs. Then suddenly came the crescendo: talk of warrants, social media hysteria, composite task forces, subpoenas, CIDG reviews, and coordinated operations involving multiple agencies.

The state appeared to be preparing for something historic. Instead, the public witnessed a chase scene.

And the question now whispered even among seasoned observers was impossible to ignore: Was this still a legitimate institutional operation? or had it transformed into a Dela Rosa-versus-Trillanes production, with the NBI seemingly acting as executive producer, complete with actors already positioned on stage while the sacred element of operational secrecy quietly disappeared in front of the cameras?

Because if the operation was truly coordinated and sensitive, why did it unfold like a public spectacle instead of a disciplined enforcement action?

The contradiction was impossible to ignore.

On the other hand, the actual execution appeared chaotic, fragmented, and politically exposed.

The public was left asking a basic but devastating question:

If there was truly a carefully coordinated plan, what exactly happened?

Why did an operation reportedly involving the Department of the Interior and Local Government, the National Bureau of Investigation, CIDG, and other state actors devolve into confusion at the Senate gates?

Why did it appear that institutions were not moving as one state—but as competing political camps improvising in real time?

Even more damaging was the optics.

And in politics, perception is often more powerful than process.

Dela Rosa understood this immediately.

By showing up publicly, voting inside the Senate, daring his critics to “make my day,” and surviving the spectacle without handcuffs, he effectively transformed himself from potential subject of investigation into political symbol.

The operation that may have intended to project accountability instead handed him imagery of defiance.

Outside the Senate gates, supporters shouted for justice, while inside, confusion unfolded between agencies supposedly working under coordinated authority.

That disconnect matters.

Because this is no longer merely about Ronald dela Rosa.

It is about the credibility of institutions handling one of the darkest and most internationally scrutinized chapters in recent Philippine history.

The deaths linked to the war on drugs are not internet gossip, partisan memes, or social media entertainment. They involve allegations of state violence, command responsibility, and thousands of lives permanently altered by operations that continue haunting both victims’ families and law enforcement institutions.

Processes tied to such allegations demand discipline, clarity, and unquestionable procedural integrity.

  • Not spectacle.
  • Not leaks.
  • Not political grandstanding.
  • Not staircase drama.

The danger now is that the issue risks being consumed by theater rather than truth. And when accountability becomes performance, both justice and institutions suffer. Because the deeper question remains unanswered:

Was Monday’s spectacle an example of the state asserting the rule of law or evidence of a government still deeply divided on how far it is truly willing to confront the legacy of the drug war?

Editha Z. Caduaya
Editha Z. Caduayahttps://newsline.ph
Edith Z Caduaya studied Bachelor of Science in Development Communication at the University of Southern Mindanao. The chairperson of Mindanao Independent Press Council (MIPC) Inc.
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